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Between andthe Continental Baths operated out of the basement space of the then-dilapidated Ansonia Hotel. The legendary Baths combined sex, socializing, and entertainment that especially flourished during the early post-Stonewall liberation years, and helped launch the careers of numerous performers and DJs. Continental Baths opening flyer, Steve Ostrow left and the stage at the Baths, c.

Photo by Bob Casey. In the late s, Steve Ostrowan entrepreneur and former opera singer, wanted to elevate the gay bathhouse experience from what were then seedy spaces to an enhanced destination as a health club and spa. Inhe leased the vacant 40,square-foot, multi-level basement space of the once lavish Ansonia Hotel then rental apartmentswhich previously housed its Turkish Baths and swimming pool area.

Ostrow predicted that his new venture would draw patrons away from other locations such as the well-established Everard Baths. When it first opened on September 12,it contained 50 rooms and lockers and operated 24 hours a day, seven days a week. Over time, Ostrow added a cabaret and stage, restaurant, gym, licensed bar, STD clinic, clothing boutique, travel desk, and roof sun deck via a separate elevator with sand from Riis Beach.

Sex, disco and fish on acid: how Continental Baths became the world's most influential gay club

Ostrow retained interior designer Richard Ohrbach to oversee this expansion and Ohrbach covered the columns with mirror and glass and painted the walls in psychedelic colors. One large room was transformed into a labyrinth with black marble for cruising. Another large space, referred to as the Orgy Room, was designed as a Roman amphitheater with carpeted risers on the four walls.

At its peak, the Baths had private rooms and 2, lockers serving up to 10, diverse gay male patrons a week, some who would stay for an entire weekend. Although not operated by the Mafia, Ostrow, employees, and patrons were repeatedly subject to police harassment, including over raids. In the early s, Ostrow took advantage of the popularity of the Baths and introduced live entertainment and DJs.

On Saturday nights, live performances of emerging acts and well-known entertainers became a destination spot. A gay guide book at the time reported that the Contintenal was:. Why not, most of the time the Continental theatre is better! Informer Metropolitan Opera soprano Eleanor Steber, who lived in the Ansonia, recorded Live at the Continenal Bathswith patrons clad in black towels, in lieu of formalwear; the towels were also featured for sale at Bloomingdales.

Saturday evening performances attracted both an LGBT and straight audience with attendees fully dressed for a Saturday night adjacent to men clad in towels. The Continental Baths was also an incubator space for the development of electronic music. In the early s, it featured the then-unknown DJ Frankie Knuckles who went on to run the Warehouse in Chicago, the birthplace of house music and DJ Larry Levan who went on to run Paradise Garagethe birthplace of garage music.

Its popularity inspired various film and stage productions. Over time attendance of the core crowd decreased, some attributing it to the Baths becoming more of an entertainment venue for straight patrons than a place for casual sex, and the facilities grew dilapidated and drug use increased.

This coincided with the opening of a number of other gay and gay-friendly dance venues, including Flamingo, the Gallery, and Le Jardin. This project is enriched by your participation! Do you have your own images of this site?